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The recent murders of George Floyd, Breonna Taylor, Ahmaud Arbery, Tony McDade, and others are a devastating reflection of the racism that runs deep in our communities, in the United States, in the world. 小火箭加速 opposes systemic racism, white supremacy, and anti-Black violence in all forms.
Since our founding in 1986 in Houston, Texas—once home to George Floyd and where we continue to operate—our mission has been to reflect our diverse community in the work we publish. We have learned that we can and must do better. One of the great pillars of Houston is the Black community, and we will continue to strive to better represent and raise these often suppressed voices. As James Baldwin said in his Notes of a Native Son, “This world is white no longer, and it will never be white again.”
We commit ourselves to the work of collective liberation through daily action and with an ongoing dedication to honoring Black voices through literature and art. We stand in solidarity with our Black contributors, readers, colleagues, and all Black lives. Black lives matter.
Help us support Black lives through literature and art, as well as efforts for justice in Houston, by donating to or supporting these organizations we compiled on our blog.
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飞跃加速器-飞跃vp加速器-飞跃加速器官网-飞跃加速器
I wonder when you push at mirrors, if they slip off in your hands. I would / like to hold you, who you were at sixteen with the you I was when I was / sixteen. 
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She understands the place she was born into is full of shadows. They slip into her open cracks, slide oozing into the gutters of her ribs, spill against the long, unbroken lines of her legs.
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In response to anti-Black racist violence, help us support Black lives through literature and art, as well as efforts for justice in Houston, by donating to or supporting these organizations.
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"You can use language and be absolutely true to what you’re saying, and at the same time people have an opportunity to misread it as something scintillating or shocking or surprising."
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Last March, Lucie Brock-Broido died at the age of 61. She left behind four collections, and the work within was characterized as “spooky,” “haunted,” or some version thereof when she was eulogized in every publication from The New York Times to The Paris…